Recode Media with Peter Kafka

Viacom and CBS Vice Chair Shari Redstone talks with Recode's Peter Kafka at the 2017 Code Conference about the venture firm she co-founded in 2011, Advancit Capital, and why it operates outside of her other companies. She says her biggest mistake there was not investing in Twitch in 2011 because she thought the video game-streaming company was already too highly valued. Redstone also discusses how content companies like Viacom are facing the challenges of the digital age and why they don't necessarily need to sell themselves off, as Time Warner is trying to do. She says she's not too worried about tech companies like Twitter, Google and Facebook making bids for the rights to NFL games, which CBS has locked up for several years.

Nick Quah, the founder and writer of the podcasting industry newsletter Hot Pod, talks with Recode's Peter Kafka about where podcasts are headed next. Quah says two events in 2014 — Apple's decision to make the Podcasts app a default one on iOS and the success of the true crime show "Serial" — are responsible for the explosion of interest in podcasts over the past few years. His newsletter, which currently reaches about 11,000 inboxes, is aimed at people who work in the growing industry and has become his full-time job, along with several side hustles. Quah also discusses how Apple's plans to share more data about podcasts' audiences with their creators will be good in the long term for most shows, but could spell bad news for some of them.

New York Magazine's Rebecca Traister talks with Recode's Peter Kafka about covering the intersection of gender and politics and her recent profile of Hillary Clinton's post-election life. Traister explains how she gradually convinced Clinton's campaign to give her access to its candidate, and how everything changed after Nov. 8. She also analyzes Clinton's appearance at the 2017 Code Conference, where the former Secretary of State was reluctant to admit any missteps that she would do over if given the chance. 

Director Brian Knappenberger talks with Recode's Peter Kafka about his new documentary "Nobody Speak: Trials of the Free Press," which premieres on Netflix on June 23. In it, Knappenberger connects venture capitalist Peter Thiel's successful lawsuit against Gawker Media, by way of pro wrestler Hulk Hogan; the rise of Donald Trump to the presidency amid increasing distrust of the media; and the secretive sale of the Las Vegas Journal-Review to billionaire casino magnate Sheldon Adelson. Knappenberger says these incidents are all intertwined, giving his new film an added level of urgency. He also talks about why the work of the Washington Post and the New York Times is a "ray of hope" for newsrooms everywhere.

In this special bonus episode from the 2017 Code Conference, New York Times Executive Editor Dean Baquet talks with Recode's Peter Kafka about how the newspaper's journalists are covering President Donald Trump and why there are so many leaks coming out of Washington at the moment. Baquet acknowledges that many journalists, including him, misunderstood the "anger and anti-elitism" that elevated Trump, and defends the hiring of climate skeptic Bret Stephens as an opinion columnist, saying people on the left should be willing to hear him out. He also warns that local news is "verging on a crisis" and smaller outlets around the country may have to be rescued by technologists and philanthropists. Baquet says one of his other goals is figuring out how to update the "voice" of the Times to match the way people talk online.

BTIG's Rich Greenfield talks with Recode's Peter Kafka about being an outspoken media and technology analyst who has made enemies throughout Hollywood and much of the big-media landscape. Greenfield has advised clients to bet on Netflix and against Disney as the traditional paid content model breaks down, but also readily cops to the times in the past when he has been wrong. He also talks about why investors have to keep an eye on the startup ecosystem, the importance of data for anyone in media who wants to go direct-to-consumer, and why Google should buy Spotify.

In this special bonus episode from Code Conference 2017, Netflix CEO Reed Hastings talks with Recode's Peter Kafka about the video-streaming platform's continuing push into making original TV and movies. He says current windowing practices, in which movies are exclusively in theaters for a time before they're available in the home, will inevitably go away. Hastings also explains why Netflix has backed off of working in China, why it has no plans to carry sports or ad-supported content and why Netflix is in favor of net neutrality even though the company is so big that it doesn't need it anymore.

Media mogul Ken Lerer — the chairman of BuzzFeed, a board member at Viacom and a venture capitalist — talks with Recode’s Peter Kafka about the media landscape in 2017. Lerer, who previously helped start MTV and co-founded HuffPost with Arianna Huffington, discusses why BuzzFeed did the right thing with its explosive Trump dossier, what he looks for in companies he invests in, and why he’s more optimistic about AT&T’s pending acquisition of Time Warner than he is about Verizon’s deal to buy Yahoo and AOL. He also makes the case for a Breitbart-style online news outlet for liberals.

Michael McKean, who plays Chuck McGill on AMC's "Better Call Saul" and has previously appeared in films such as "This Is Spinal Tap" and "Clue," talks with Recode's Peter Kafka about the process of acting and comedy. McKean is currently appearing in a dramatic play on Broadway (a new production of Lillian Hellman’s "The Little Foxes") and he says he’s glad the audience usually leaves their phones off. He also chats about improvising with Christopher Guest, his brief stint on "Saturday Night Live" and why he doesn't think much about how people are watching his work.

Amir Bar-Lev, the director of the new documentary "Long Strange Trip," talks with Recode's Peter Kafka. The four-hour film, which traces the history and cultural impact of the Grateful Dead and its fans, will be released in theaters and will stream via Amazon Prime Video. Bar-Lev says it's accessible to both Deadheads and non-fans alike and that he made it in part as a reaction to how Instagram culture has made people believe they are "mini celebrities." He also argues that mainstream observers have neutered the Dead's legacy by trying to cast them as tech or business geniuses, when in fact they always put art ahead of commerce.