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The Voice

Frank E. Miller

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Book Excerpt: 
. . .For only one method is correct and that really is a combination of the three. These three are called, respectively, clavicular, abdominal or diaphragmatic, and costal; clavicular, because it employs a forced movement of the clavicle or collar-bone accompanied by a perceptible raising of the shoulder-blades; abdominal or diaphragmatic, because breathing by this method involves an effort of the diaphragm and of the abdominal muscles; and costal, which consists of an elastic expansion and gentle contraction of the ribs, the term "costal" signifying "pertaining to the ribs."

Let me say right here, subject to further explanation, that neither of these methods by itself is complete for voice-production and that the correct method of breathing consists of a combination of the three, with the costal, or rib-expansion method, predominating. For of the three methods mentioned the expansion of the ribs creates the largest chest-cavity, within which the lungs will have room . . . Read More

Community Reviews

I enjoyed this book in terms of what it had to teach me as an actor & giving me a greater insight into this wonderful actor's technique, but I have to say that at times it turned into way too much of a love fest. Also, one of the reasons it took me so long to read was that I kept putting it down due

I loved this book and have been very remiss with finishing it. I have read so many books in-between so will attempt to write reviews about them. For some reason, I keep interrupting myself with other books which I have been given. Judi writes very well and I can hear her beautiful voice speaking to

I love Dame Judi Dench, have ever since I saw her onstage in London in '93, but I did not love this book. It was more an exhaustive resume and collection of reviews with a few good stories attached. If was often hard to follow who was being quoted and sometimes even what they were exactly talking ab

I found this book on my mother's shelves when we emptied her home; she loved to remind us of her many theatre trips to London and seeing "Dame Judi Dench" on the stage so I felt that by reading it I'd feel closer to my mother. And I did. For theatre lovers and lovers of her in films, this is an in d

The writing itself is pretty weak, particularly in the first half. The author has done an exceptional amount of interviews to assemble her biography; however, in the first half he has a difficult time expressing these stories in a way that makes the meaning clear to the reader. Quotes are unclear or

Hardly a "tell-all" gossip memoir, Miller interweaves Dench's life with stories from the numerous interviews he conducted for this book. Without delving too much into her private life, you very much get a sense of the type of woman Dench is, which perfectly aligns with what one has come to expect. A

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