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Prince Hagen
Upton Sinclair
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ALB. [After along gaze.] You play our music. Where did you learn it?
GER. Why... it's in Wagner's operas. He composed it.
ALB. Humph... composed it!
GER. [Aghast.] You mean he came and copied it!
ALB. Of course!
GER. Why... why... we all thought it was original!
ALB. Original! It is indeed wonderful originality! To listen in the Rhine-depths to the song of the maidens, to dwell in the forest and steal its murmurs, to catch the crackling of the fire and the flowing of the water, the galloping of the wind and the death march of the thunder... and then write it all down for your own! To take our story and tell it just as it happened... to take the very words from our lips, and sign your name to them! Originality!
GER. But, your majesty, one thing at least. Even his enemies granted him that! He invented the invisible orchestra!
ALB. [Laughing.] Have. . . Read More
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Community Reviews
The author has written about his own early years of youth and struggle as a writer, and here he merges his camping in the forest with meeting Wagner's characters from Niebelungslied. He has, however, made Gerald, his protagonist here, not himself, a poor writer fiercely protective of his art, talent
The author has written about his own early years of youth and struggle as a writer, and here he merges his camping in the forest with meeting Wagner's characters from Niebelungslied. He has, however, made Gerald, his protagonist here, not himself, a poor writer fiercely protective of his art, talent
The author has written about his own early years of youth and struggle as a writer, and here he merges his camping in the forest with meeting Wagner's characters from Niebelungslied. He has, however, made Gerald, his protagonist here, not himself, a poor writer fiercely protective of his art, talent
The author has written about his own early years of youth and struggle as a writer, and here he merges his camping in the forest with meeting Wagner's characters from Niebelungslied. He has, however, made Gerald, his protagonist here, not himself, a poor writer fiercely protective of his art, talent