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The Pillar of Fire

J. H. Ingraham

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Book Excerpt: 
. . .cameo and an intaglio, the figure itself rising from the broadly cut and deep outline of the design. Thus, though the design is in relief, the figure does not project, and is protected from injury. The colors which are laid on these are softened by their retiring below the surface. Real bass-reliefs, however, exist on the monuments of the age of Sesortasen I.

The adytum of the temple which I am describing so minutely, with descriptions of the peculiarities of the architecture of the Egyptians (knowing your architectural taste and curiosity about all such subjects, my dear mother), was, unlike any of the halls I had traversed, much smaller, and yet far more beautiful than any of them. It was a square chamber, the ceiling of which was painted blue and studded with stars, while the moon shone down, a shield of polished silver, from {87} the zenith point. Figures of vultures, hawks, and other emblems, were placed upon columns around the hall, and separated only . . . Read More

Community Reviews

Once again, beautiful depictions of age-old stories.

NOTE: This review is of the Lamplighter Publishing edition.
Recommended to us by our friends Steve and Kathy Mueller, who at one time were representatives for Lamplighter Publishing, this book is Biblical historical fiction in which the story of Moses and the Israelite exodus from Egyptian bondage

This book is written as a correspondence between Moses and a Phoenician prince. At the start, the reader sees Moses as an Egyptian prince, observes his dawning realization of his heritage, followed by his escape from Egypt, and return many years later.

The heavy research in this book can make it fee