She learnt Lycidas by heart, and
"I thought I saw my late espoused wife
Brought to me like Alcestis from the grave,"—
and the bits about Satan in Paradise Lost. The sound of the lines gave her the same nice feeling that she had when Mrs. Propart played the March in Scipio after Evening Service. She tried to make lines of her own that went the same way as the lines in Milton and Shakespeare and Pope's Iliad. She found out that there was nothing she liked so much as making these lines. It was nicer even than playing the Hungarian March. She thought it was funny that the lines like Pope's Iliad came easiest, though they had to rhyme.
"Silent he wandered by the sounding sea," was good, but the Greek line that Mark showed her went: "Be d'akeon para thina poluphloisboio thalasses"; that was better. "Don't you think so, Mark?"
"Clever Minx. Much better."
"Mark—if God knew how happy I am writing poetry he'd make the earth open and swallow me up."
Mark only said, "You mustn't say that to Mamma. Play 'Violetta.'"
Of all hateful and disgusting tunes the most disgusting and the most hateful was "Violetta," which Mr. Sippett's sister taught her. But if Mark would promise to make Mamma let her learn Greek she would play it to him twenty times running.
When Mark went to Chelmsted that autumn he left h
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