AFTER COOPER

CHAPTER I

It was toward the close of a bright October day. The last rays of the setting sun were reflected from one of those sylvan lakes peculiar to the Sierras of California. On the right the curling smoke of an Indian village rose between the columns of the lofty pines, while to the left the log cottage of Judge Tompkins, embowered in buckeyes, completed the enchanting picture.

Although the exterior of the cottage was humble and unpretentious, and in keeping with the wildness of the landscape, its interior gave evidence of the cultivation and refinement of its inmates. An aquarium, containing goldfishes, stood on a marble centre-table at one end of the apartment, while a magnificent grand piano occupied the other. The floor was covered with a yielding tapestry carpet, and the walls were adorned with paintings from the pencils of Van Dyke, Rubens, Tintoretto, Michael Angelo, and the productions of the more modern Turner, Kensett, Church, and Bierstadt. Although Judge Tompkins had chosen the frontiers of civilization as his home, it was impossible for him to entirely forego the habits and tastes of his former life. He was seated in a luxurious armchair, writing at a mahogany escritoire, while his daughter, a lovely young girl of seventeen summers, plied her crotchet-needle on an ottoman beside him. A bright fire of pine logs flickered and flamed on the ample hearth.

Genevra Octavia Tompkins was Judge Tompkins's only child. Her mother had long since died on the Plains. Reared in affluence, no pains had been spared with the daughter's education. She was a graduate of one of the principal seminaries, and spoke French with a perfect Benicia accent. Peerlessly beautiful, she was dressed in a white moire antique robe trimmed with tulle. That simple rosebud, with whic