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A Little Book of Western Verse

Eugene Field

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A Little Book of Western Verse | Eugene Field

A Little Book of Western Verse

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The sweetest songs the world has ever heard are the lullabies that have been crooned above its cradles. The music of Beethoven and Mozart, of Mendelssohn and Schumann may perish, but so long as mothers sing their babies to sleep the melody of cradle lullabies will remain. Of all English and American writers the one who sang most often and most exquisitely these cradle songs was Eugene Field, the children’s poet. His verses not only have charm as poetry, but a distinct song quality and a naive fancy that is both childlike and appealing. That they were written out of Eugene Field’s deep and genuine love of children and out of his sympathetic understanding of their wondering minds is evident from the fact that his lullabies have taken a high and what seems to be a permanent place in the world’s classic literature of childhood.
victory he had won, for the hope and belief that had been justified, and for the happiness he had gained?

To have been with my brother in the last year of his life, to have seen the sweetening of a character already lovable to an unusual degree, to know now that in his unconscious preparation for the life beyond he was drawing closer to those he loved and who loved him, this is the tenderest memory, the most precious heritage. Not to have seen him in that year is never to realize the full beauty of his nature, the complete development of his nobler self, the perfect abandonment of all that might have been ungenerous and intemperate in one even less conscious of the weakness of mortality. He would say when chided for public expression of kind words to those not wholly deserving, that he had felt the sting of harshness and ungraciousness, and never again would he use his power to inflict suffering or wound the feelings of man or child. Who is there to wonder, then, that the love of all went out to him, and that the other triumphs of his life were as nothing in comparison with the grasp he maintained on popular affection? The day after his death a lady was purchasing flowers to send in sympathy for the mourning family, when she was approached by a poorly-clad little girl who timidly asked what she was going to do with so many roses. When she replied that she intended sending them to Mr. Field, the little one said that she wanted so much to send Mr. Field a rose, adding pathetically that she had no money. Deeply touched by the child's sorrowful earnestness the lady picked out a yellow rose and gave it to her, and when the coffin was lowered to the grave a wealth of wreaths and designs was strewn around to mark the spot, but down below the hand of the silent poet held only a little yellow rose, the tribute of a child who did not know him in life, but in whose heart nestled the love his songs had awakened and the magnetism of his great humanity had s

Peggy Haufle 03/20/2021
I was only familiar with Wynken, Blyken and Nod which I discovered is really "Dutch Lullaby". Eugene Field used a dialect which I suppose he felt was "western" which was very difficult to figure out at times. I found it distracting in most of the poems he wrote with it. I did enjoy "Our Lady of the
Peter 09/24/2016
I greatly enjoy the poetry of Eugene Field, and I have since before I could read. Two of my favorite poems from my youth are in the volume: "Little Boy Blue" and "Dutch Lullaby" (better known as "Wynken, Blynken and Nod"). There are a few poems new to me that I enjoyed greatly; however, his poetic t

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