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Hildegarde's Home

Laura Elizabeth Howe Richards

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Book Excerpt: 
. . .l great pink-lipped shells; a butterfly net; a rattlesnake's skin; an exquisite statuette of carved wood, representing Theodoric, King of the Ostrogoths, a copy of the famous bronze statue at Innsbruck; a large assortment of pasteboard boxes, of all sizes and shapes; three or four work-baskets; last of all, some framed photographs and engravings, and a number of polished pieces[62] of wood, which were speedily put together into a bookcase and two or three hanging shelves. On these shelves and on the mantel-piece the various alicumtweezles were arranged and re-arranged, till at length Hildegarde gave a satisfied nod and pronounced them perfect. "But now comes the hard part!" she said. "The pictures! Who shall have the post of honour over the mantel-piece? Come here, dear persons, and let me look at you!" She took up two engravings, both framed in gilt laurel leaves, and studied them attentively. One was the portrait of a man in cavalier dress, strikingly handsome, . . . Read More

Community Reviews

I see a pattern here. Some huge life event takes place off the page, and Hildegarde deals with the consequences. This time, her father has died and she and "Mammina" (geh) have to get used to living in rather smaller style than they did. Fortunately a shirt-tail relation has also died and left them

This third installment of Laura E. Richards' Hildegarde Series, originally published from 1889 through 1897, sees great changes in the Grahame family, with Hugh Grahame - beloved father of Hildegarde, and husband of Mildred - six months dead, and his widow and child left in somewhat reduced circumst