"Uh-uh," she smiled, shaking her head to mean "no."
"Wait till we get to the mountains. I'll tell you." He sealed her lips with his, holding her until her breath was almost gone.
"Oh," she exclaimed; "you're terrible. You're like steel."
"And you're like a big red rose. Kiss me!"
From Christina he learned all about the musical world and musical personalities. He gained an insight into the different forms of music, operatic, symphonic, instrumental. He learned of the different forms of composition, the terminology, the mystery of the vocal cords, the methods of training. He learned of the jealousies within the profession, and what the best musical authorities thought of such and such composers, or singers. He learned how difficult it was to gain a place in the operatic world, how bitterly singers fought each other, how quick the public was to desert a fading star. Christina took it all so unconcernedly that he almost loved her for her courage. She was so wise and so good natured.
"You have to give up a lot of things to be a good artist," she said to Eugene one day. "You can't have the ordinary life, and art too."
"Just what do you mean, Chrissy?" he asked, petting her hand, for they were alone together.
"Why, you can't get married very well and have children, and you can't do much in a social way. Oh, I know they do get married, but sometimes I think it is a mistake. Most of the singers I know don't do so very well tied down by marriage."
"Don't you intend to get married?" asked Eugene curiously.
"I don't know," she replied, realizing what he was driving at. "I'd want to think about that. A woman artist is in a d— of a position anyway," using the letter d only to indicate the word "devil." "She has so many things to think about."
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I am astonished by the eloquence and depths of thought and events which occurred within the novel. As far as I know, Theodore Dreiser is not a philosopher, yet this story is exactly a philosophical study of life, man and woman themselves. It is so delicate, so subtle, so