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Fromont and Risler - Complete
Alphonse Daudet
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It was a fact that, when Mademoiselle Chebe had left the train and was seated in the great wagonette from the chateau, her appearance was not bad; but she lacked those details that constituted her friend's chief beauty and charm—a distinguished carriage, a contempt for poses, and, more than all else, mental tranquillity. Her prettiness was not unlike her gowns, of inexpensive materials, but cut according to the style of the day-rags, if you will, but rags of which fashion, that ridiculous but charming fairy, had regulated the color, the trimming, and the shape. Paris has pretty faces made expressly for costumes of that sort, very easy to dress becomingly, for the very reason that they belong to no type, and Mademoiselle Sidonie's face was one of these.
What bliss was hers . . . Read More
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Community Reviews
This late 1900s naturalism novel is in the mode of Zola et al. It has a typical, classic style drawing in the emotional inequity formed around a love triangle or more accurately square.
Risler a mature business inventor is in wallpaper factory with wealthy Georges Formont. They share a family as frie