ase. It was to her a vehement satisfaction to have her favourite son back from South Africa after all this time, to feel him so little changed, and to have taken a fancy to his wife. Winifred, who in the late seventies, before her marriage, had been in the vanguard of freedom, pleasure, and fashion, confessed her youth outclassed by the donzellas of the day. They seemed, for instance, to regard marriage as an incident, and Winifred sometimes regretted that she had not done the same; a second, third, fourth incident might have secured her a partner of less dazzling inebriety; though, after all, he had left her Val, Imogen, Maud, Benedict (almost a colonel and unharmed by the war)—none of whom had been divorced as yet. The steadiness of her children often amazed one who remembered their father; but, as she was fond of believing, they were really all Forsytes, favouring herself, with the exception perhaps of Imogen. Her brother's "little girl" Fleur frankly puzzled Winifred. The child was as restless as any of these modern young women—"She's a small flame in a draught," Prosper Profond had said one day after dinner—but she did not flop, or talk at the top of her voice. The steady Forsyteism in Winifred's own character instinctively resented the feeling in the air, the modern girl's habits and her motto: "All's much of a muchness! Spend! To-morrow we shall be poor!" She found it a saving grace in Fleur that having set her heart on a thing, she had no change of heart until she got it—though what happened after, Fleur was, of course, too young to have made evident. The child was a "very pretty little thing," too, and quite a credit to take about, with her mother's French taste and gift for wearing clothes; everybody turned to look at Fleur—great consideration to Winifred, a lover of the style and distinction which had so cruelly deceived her in the case of Montague Dartie.

In discussing her with Val,