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Clayhanger

Arnold Bennett

505 ratings
Clayhanger | Arnold Bennett

Clayhanger

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This first of a series of four novels (Clayhanger, Hilda Lessways, These Twain and The Roll-Call) is a coming-of-age story set in the Midlands of Victorian England, following Edwin Clayhanger as he leaves school, takes over the family business, and falls in love.
The books are set in Bennett's usual setting of "the 5 Towns", a thinly-disguised version of the six towns of "the Potteries" which amalgamated (at the time of which Bennett was writing) into the borough (and later city) of Stoke-on-Trent.
In one of the earlier chapters in the book, Bennett writes that Edwin had only heard of a philosopher as 'someone who made the best of a bad job' and in some ways that is what Edwin has to do in the book - survive under a stifling layer of conduct imposed by his father, his church and the society he is part of.
g marbles should do anything so solemn as expire. However, Edwin had perfectly lost all interest in marbles; only once in six months had he thought of them, and that once through a funeral card. Also he was growing used to funeral cards. He would enter an order for funeral cards as nonchalantly as an order for butterscotch labels. But it was not deaths and the spectacle of life as seen from the shop that had made another Edwin of him.

What had changed him was the slow daily influence of a large number of trifling habitual duties none of which fully strained his faculties, and the monotony of them, and the constant watchful conventionality of his deportment with customers. He was still a youth, very youthful, but you had to keep an eye open for his youthfulness if you wished to find it beneath the little man that he had been transformed into. He now took his watch out of his pocket with an absent gesture and look exactly like his father’s; and his tones would be a reflection of those of the last important full-sized man with whom he had happened to have been in contact. And though he had not developed into a dandy (finance forbidding), he kept his hair unnaturally straight, and amiably grumbled to Maggie about his collars every fortnight or so. Yes, another Edwin! Yet it must not be assumed that he was growing in discontent, either chronic or acute. On the contrary, the malady of discontent troubled him less and less.

To the paper boy he was a real man. The paper boy accepted him with unreserved fatalism, as Edwin accepted his father. Thus the boy stood passive while Edwin brought business to a standstill by privately perusing the “Manchester Examiner.” It was Saturday morning, the morning on which the “Examiner” published its renowned Literary Supplement. All the children read eagerly the Literary Supplement; but Edwin, in virtue of his office, got it first. On the first and second pages was the serial story, by George M

John 03/07/2019
A great read and first in the trilogy. Edwin is a frustrating character in many ways. He does not follow his dream of being an architect and instead follows his father Darius into the family printing business. The book follows his pathway from adolescence to adulthood and the promises we all make to
CarolineFromConcord 05/10/2018
Years ago I read Margaret Drabble's masterful biography of Arnold Bennett and proceeded to read most of his novels with pleasure. This one, *Clayhanger,* was written in 1910 and was the first of a series of books about a family living in the pottery-making district of England in the 19th C. It conce
Steve 05/02/2012
There are so many books to read that rarely can I justify reading a book more than once.
I have read Clayhanger three times due to Bennett creation of one of literary's most sympathetic and empathetic characters in Edwin Clayhanger. The rest of the series don't quite measure up but I so wanted Edwin
Karl 07/21/2008
If you are adverse to books that "move slowly," then by all means pass on this one. What Bennett is so very good at is creating characters by examining the minutia of their lives, desires, and personalities. I found "Clayhanger" to be so absolutely human in a way that's eminently recognizable even n

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