Pitt was Canning's master and hero, whom he followed and admired with attachment and devotion. "To one man, while he lived," said Canning, "I was devoted with all my heart and all my soul. Since the death of Mr. Pitt I acknowledge no leader; my political allegiance lies buried in his grave." 1211
A French physiologist, M. Roux, was occupied one day in lecturing to his pupils, when Sir Charles Bell, whose discoveries were even better known and more highly appreciated abroad than at home, strolled into his class-room. The professor, recognising his visitor, at once stopped his exposition, saying: "MESSIEURS, C'EST ASSEZ POUR AUJOURD'HUI, VOUS AVEZ VU SIR CHARLES BELL!"
The first acquaintance with a great work of art has usually proved an important event in every young artist's life. When Correggio first gazed on Raphael's 'Saint Cecilia,' he felt within himself an awakened power, and exclaimed, "And I too am a painter" So Constable used to look back on his first sight of Claude's picture of 'Hagar,' as forming an epoch in his career. Sir George Beaumont's admiration of the same picture was such that he always took it with him in his carriage when he travelled from home.
The examples set by the great and good do not die; they continue to live and speak to all the generations that succeed them. It was very impressively observed by Mr. Disraeli, in the House of Commons, shortly after the death of Mr. Cobden:—"There is this consolation remaining to us, when we remember our unequalled and irreparable losses, that those great men are not altogether lost to us—that their words will often be quoted in this House—that thei
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