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Anne Severn and the Fieldings

May Sinclair

25 ratings
Anne Severn and the Fieldings | May Sinclair

Anne Severn and the Fieldings

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Written in an era of cheap, formulaic romantic fiction, the nuanced, seditious, quietly erotic novels of May Sinclair stand out like literature from another era entirely. There is romance in “Anne Severn & the Fieldings,” but it’s romance of the best and profoundest kind, set in the context of authentic human personalities and tragic historical events. The motherless Anne Severn is adopted into the Fielding family and grows up in intimate friendship with the three Fielding sons, all of whom love her. World War I explodes into their lives with hideous effect, sending all three sons back damaged in one way or another. Anne herself sees the horrors of war as an ambulance driver, meeting along the way (in a whimsical little self-referential sentence) a “queer little middle-aged lady out for a job at the front” whom we recognize as May Sinclair herself, who volunteered for just such an adventure in 1914. Sinclair always was half-Victorian, half-modern, so it is no surprise to find her using subtle, lovely, dreamlike, decorous prose to undermine social conventions on all sides. Most startling, perhaps, is the unambiguous sexuality that complicates the lives of her characters, troubling marriages and consummating true love. She creates personalities about whom we care much more than we care about proprieties and social boundaries, and Anne Severn stands as one of Sinclair’s most courageous and compelling heroines
the charm on its own account, or whether the pleasure of being with her was simply part of the blessed state of being at Wyck-on-the-Hill. Enough that Auntie Adeline was there where Uncle Robert and Eliot and Colin and Jerrold were; she belonged to them; she belonged to the house and garden; she stood with the flowers.

Anne was walking with her now, gathering roses for the house. The garden was like a room shut in by the clipped yew walls, and open to the sky. The sunshine poured into it; the flagged walks were pale with heat.

Anne's cat, Nicky, was there, the black Persian that Jerrold had given her last birthday. He sat in the middle of the path, on his haunches, his forelegs straight and stiff, planted together. His face had a look of sweet and solemn meditation.

"Oh Nicky, oh you darling!" she said.

When she stroked him he got up, arching his back and carrying his tail in a flourishing curve, like one side of a lyre; he rubbed against her ankles. A white butterfly flickered among the blue larkspurs; when Nicky saw it he danced on his hind legs, clapping his forepaws as he tried to catch it. But the butterfly was too quick for him. Anne picked him up and he flattened himself against her breast, butting under her chin with his smooth round head in his loving way.

And as Adeline wouldn't listen to her Anne talked to the cat.

"Clever little thing, he sees everything, all the butterflies and the dicky-birds and the daddy-long-legs. Don't you, my pretty one?"

"What's the good of talking to the cat?" said Adeline. "He doesn't understand a word you say."

"He doesn't understand the words, he says, but he feels the feeling …
He was the most beautiful of all the pussies, he was, he was."

"Nonsense. You're throwing yourself away on that absurd animal, for all the affection

Emily 01/20/2024
This is the third novel by May Sinclair that I've read. The first, The Life and Death of Harriett Frean I admired (enjoyed is not quite the right word) for its hauntingly spare unsentimental story. The second, Mary Olivier: A Life, despite being another life story of a female heroine, was quite diff
Lucy 09/06/2022
The ending and the cod psychology spoiled this for me. It was all a bit Wings of the Dove and Golden Bowl for my liking, but of course much more intelligible. Sinclair wrote like an angel, her descriptions of places are extraordinarily vivid and of course she was brilliant at creating appalling char
Roderick 04/14/2020
This is a wonderful, romantic book. Sinclair has sensitive, psychological insights into her characters. The protagonist, Anne starts this book as a child, thrust into a family of three boys when her mother dies. Her relationships with the three brothers matures in interesting ways over the course of

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