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The Age of Innocence

Edith Wharton

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The Age of Innocence | Edith Wharton

The Age of Innocence

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In an era before the advent of electric lights, telephones or motor vehicles, there exists a small cluster of aristocratic “old revolutionary stock” families that rule New York’s social life. Under the rules of this society, “being things” is better than “doing things” and reputation and outward appearances come at the exclusion of everything else. In this Gilded Age, when America’s expansion and increased industrialism produce a group of newly wealthy robber barons and financiers, the patient, time-honored values of the old ruling class, and century, are giving way to the expediencies of the new. Caught at this cusp, a triangle of lovers, who must choose between the expectations of family and society, and the deepest yearnings of the heart.
Newly engaged couple, Newland Archer, a young lawyer, and May Welland, a society debutante, are part of the old world, where the “right people” follow the “correct rules” and marry into “acceptable families.” The arrival from Europe of May’s cousin, the Countess Ellen Olenska, complicates their union, as Ellen’s mysterious past threatens to cast a shadow of scandal over the newly betrothed couple. Newland Archer, at first critical of Ellen’s bohemian lifestyle, and her seemingly wilful ignorance of the rules and customs of his Old New York, is soon captivated by Ellen’s warmth, spirit, and her generous and loving heart. Will he cast off the life for which he’s been groomed, or sacrifice happiness for duty and the greater good of the social order?
niture, and the plain new bookcases without glass doors.

The round-bosomed maid came in, drew the curtains, pushed back a log, and said consolingly: "Verra—verra." When she had gone Archer stood up and began to wander about. Should he wait any longer? His position was becoming rather foolish. Perhaps he had misunderstood Madame Olenska—perhaps she had not invited him after all.

Down the cobblestones of the quiet street came the ring of a stepper's hoofs; they stopped before the house, and he caught the opening of a carriage door. Parting the curtains he looked out into the early dusk. A street-lamp faced him, and in its light he saw Julius Beaufort's compact English brougham, drawn by a big roan, and the banker descending from it, and helping out Madame Olenska.

Beaufort stood, hat in hand, saying something which his companion seemed to negative; then they shook hands, and he jumped into his carriage while she mounted the steps.

When she entered the room she showed no surprise at seeing Archer there; surprise seemed the emotion that she was least addicted to.

"How do you like my funny house?" she asked. "To me it's like heaven."

As she spoke she untied her little velvet bonnet and tossing it away with her long cloak stood looking at him with meditative eyes.

"You've arranged it delightfully," he rejoined, alive to the flatness of the words, but imprisoned in the conventional by his consuming desire to be simple and striking.

"Oh, it's a poor little place. My relations despise it. But at any rate it's less gloomy than the van der Luydens'."

The words gave him an electric shock, for few were the rebellious spirits who would have dared to call the stately home of the van der Luydens gloomy. Those privileged to enter it shivered there, and spoke of it as "handsome." But suddenly he was glad that she had g

Adam 07/26/2020
The most perfect ending in literature - I'll never get over it.

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