. . .around the fascinating walls hang huge plates of bronzed earthenware for a lavish and a hospitable show, and for the representation of those scenes of Venetian story which are modeled upon them in bass-relief. Here I like to take my unknown friend—my scoundrel facchino or rascal gondolier—as he comes to buy his dinner, and bargains eloquently with the cook, who stands with a huge ladle in his hand capable of skimming mysterious things from vasty depths. I am spell-bound by the drama which ensues, and in which all the chords of the human heart are touched, from those that tremble at high tragedy, to those that are shaken by broad farce. When the diner has bought his dinner, and issues forth with his polenta in one hand, and his fried minnows or stewed snails in the other, my fancy fondly follows him to his gondola-station, where he eats it, and quarrels volubly with other gondoliers across the Grand Canal.

A simpler and less ambitious sort of cook-shop a. . . Read More