. . .her the performance is good or bad, but if he does not like the kind, he instructs the writer to go off and do some other sort of thing—usually the sort that has been done already, and done sufficiently. If he could once understand that a man who has written the book he dislikes, probably knows infinitely more about its kind and his own fitness for doing it than any one else, the critic might learn something, and might help the reader to learn; but by putting himself in a false position, a position of superiority, he is of no use. He is not to suppose that an author has committed an offence against him by writing the kind of book he does not like; he will be far more profitably employed on behalf of the reader in finding out whether they had better not both like it. Let him conceive of an author as not in any wise on trial before him, but as a reflection of this or that aspect of life, and he will not be tempted to browbeat him or bully him.

The critic need n. . . Read More