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The Works of Charles and Mary Lamb - Volume 2

Charles Lamb

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The Works of Charles and Mary Lamb - Volume 2 | Charles Lamb

The Works of Charles and Mary Lamb - Volume 2

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Discursive ramblings of a generous mind, no-one would know from Lamb's conversational button-holing of you and telling you whatever is on his mind that his sister had killed their mother and he had spent his life looking after her; had collaborated with her, in fact, on their Tales From Shakespeare. This world was made by God, he once remarked, but He has left it for humanity to bustle about in. These are Lamb's reflections on said bustlings. He once said of his close friend Coleridge that the man was hungry for eternity; but Lamb was hungry for humanity. He satisfies this hunger admirably in these Last Essays.
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Of building strong, albeit of Paper hight,

confronting, with massy contrast, the lighter, older, more fantastically shrouded one, named of Harcourt, with the cheerful Crown-office Row (place of my kindly engendure), right opposite the stately stream, which washes the garden-foot with her yet scarcely trade-polluted waters, and seems but just weaned from her Twickenham Naiades! a man would give something to have been born in such places. What a collegiate aspect has that fine Elizabethan hall, where the fountain plays, which I have made to rise and fall, how many times! to the astoundment of the young urchins, my contemporaries, who, not being able to guess at its recondite machinery, were almost tempted to hail the wondrous work as magic! What an antique air had the now almost effaced sundials, with their moral inscriptions, seeming coevals with that Time which they measured, and to take their revelations of its flight immediately from heaven, holding correspondence with the fountain of light! How would the dark line steal imperceptibly on, watched by the eye of childhood, eager to detect its movement, never catched, nice as an evanescent cloud, or the first arrests of sleep!

  Ah! yet doth beauty like a dial-hand
  Steal from his figure, and no pace perceived!

What a dead thing is a clock, with its ponderous embowelments of lead and brass, its pert or solemn dulness of communication, compared with the simple altar-like structure, and silent heart-language of the old dial! It stood as the garden god of Christian gardens. Why is it almost every where vanished? If its business-use be superseded by more elaborate inventions, its moral uses, its beauty, might have pleaded for its continuance. It spoke of moderate labours, of pleasures not protracted after sun-set, of temperance, and good-hours. It was the primitive clock, the horologe of the first wor

Anna-karien 06/05/2015
Really enjoyed it. Anne Fadiman put me onto his trail...
Mark 06/30/2013
For me the best of all essayists in English, surpassing even Johnson and De Quincey. But to reduce this merely to a book of essays misses, I think, the essential strangeness of the project, one which slyly grapples with fictions and imposture and the nature (or existence) of personal truths while re
Elisha 02/10/2010
My copy was printed in 1898 and was super cheap on ebay. And whenever I read this book I love holding it in my hands and thinking about how old it is and how sweet and funny it can be even now. I tracked this down because of "Guernsey Literary and Potato Peel Pie Society" - it's the book that 2 mai

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