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The Wanderer - Volume 1

Fanny Burney

Book Overview: 

This is the fourth and final novel by Fanny Burney, the author of Evelina, Cecilia, and Camilla. "Who is "Miss Ellis?" Why did she board a ship from France to England at the beginning of the French revolution? Anyway, the loss of her purse made this strange "wanderer" dependent upon the charity of some good people and, of course, bad ones. But she always comforts herself by reminding herself that it's better than "what might have been..." This is not only a mystery, not at all. It's also a romance

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Book Excerpt: 
. . .Page_21" id="Page_21">[Pg 21] very sensible to such a mark of distinction. I hope Mr Harleigh does not doubt that? I hope he does not suspect I should want a proper sensibility to such an honour?'

'If you think her a vagabond, Madam,' replied Harleigh, 'I have not a word to offer: but neither her language nor her manners incline me to that opinion. You only want an attendant till you reach your family, and she merely desires and supplicates to travel free. Her object is to get to Brighthelmstone. And if, by waiting upon you, she could earn her journey to London, Mrs Maple, perhaps, in compassion to her pennyless state, might thence let her share the conveyance of some of her people to Lewes, whence she might easily find means to proceed.'

The two elderly ladies stared at each other, not so much as if exchanging enquiries how to decline, but in what degree to resent this proposition; while Elinor, making Harleigh follow her to a window, said, 'No, do . . . Read More

Community Reviews

The Wanderer was Fanny Burney’s last novel, and, in my opinion, her magnum opus. It was published in 1814, years after her third novel, Camilla (1796). She had started it soon after Camilla, but it was set aside when she turned to plays in order to earn more money to support her family.

There are so

A mysterious woman travels from France to England during the French revolution. She relies on random acquaintences to support her once she gets there, but refuses to tell anyone her name, who she is or anything about her. The point: who in "good society" would be willing to help a nameless woman in

Magnificent for its powerful depictions of what Burney terms “female difficulties,” also the novel’s subtitle. Burney’s heroine, a wanderer, struggles to survive and maintain her personal safety and dignity in a world inimical to women’s financial and moral independence. Persecutors abound. I loved

OK. This is loooooong. Has some interesting aspect: a bit of race stuff; husband's rights over an eloped wife; a 10-page or so philosophical discussion between two characters that is remarkably good, touches on many central points and shows Burney to be a worthy philosopher as well as novelist; conn

Burney's contemporaries criticized this book for its unwomanly interest in international and domestic affairs: she not only draws an unflattering portrait of cultured middle-class hypocrisy in England, but also meditates on the particularly vulnerable position of women under a tyrannical government

Fanny Burney’s last novel, The Wanderer, or Female Difficulties was published in 1814, the same year as Jane Austen’s Mansfield Park, and Walter Scott’s Waverley. I think it’s fair to say that it has not stood the test of time quite as well as its year-mates. It’s a consummate example of a “loose ba

It is the time of the French Revolution, and a lovely young woman is in a pickle. She flees France for England, but is constantly “in the affright of pursuit, and the dismay of being exposed to improper pecuniary obligations.”

This was overly-long and sometimes tedious, but still an interesting romp

A gripping, long tale on the order of Clarissa, a book I grieved to finish, and so was happy to find another.

This is quite possibly my favorite novel. Ever. I re-read it all the time. That said, it's my favorite novel for weird reasons. People who are not all that intrigued by eighteenth-century literature by and about women probably won't like this. People who are more interested in the blood and riot of

Underappreciated. Wonderful depiction of the limited opportunities available to women in late Georgian society. Also, very interesting politically, as Burney engages directly with the French Revolution and its effect on both French and British society. Not as funny as Burney's earlier efforts, but s

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