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Troilus and Cressida
William Shakespeare
Book Overview:
Troilus and Cressida is Shakespeare's "problem" play about the Trojan War. As the opening Chorus tells us, the play "begins in the middle" of the epic conflict, and counterpoints the drama of battle with the romance of the title characters. Just as Agamemnon and his Greek forces (particularly the smooth-tongued Ulysses) attempt to woo the invincible Achilles to resume fighting on their side, the Trojan go-between Pandarus tries to bring together Troilus, a son of King Priam, with his niece, the lovely Cressida.
Troilus and Cressida is Shakespeare's "problem" play about the Trojan War. As the opening Chorus tells us, the play "begins in the middle" of the epic conflict, and counterpoints the drama of battle with the romance of the title characters. Just as Agamemnon and his Greek forces (particularly the smooth-tongued Ulysses) attempt to woo the invincible Achilles to resume fighting on their side, the Trojan go-between Pandarus tries to bring together Troilus, a son of King Priam, with his niece, the lovely Cressida.
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Like Perseus' horse. Where's then the saucy boat,
Whose weak untimber'd sides but even now
Co-rivall'd greatness? Either to harbour fled
Or made a toast for Neptune. Even so
Doth valour's show and valour's worth divide
In storms of fortune; for in her ray and brightness
The herd hath more annoyance by the breeze
Than by the tiger; but when the splitting wind
Makes flexible the knees of knotted oaks,
And flies fled under shade—why, then the thing of courage
As rous'd with rage, with rage doth sympathise,
And with an accent tun'd in self-same key
Retorts to chiding fortune.
ULYSSES.
Agamemnon,
Thou great commander, nerve and bone of Greece,
Heart of our numbers, soul and only spirit
In whom the tempers and the minds of all
Should be shut up—hear what Ulysses speaks.
Besides the applause and approbation
The which,<. . . Read More
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Community Reviews
So a lot of people seem to think this is really boring and difficult. I'll give them the second one, but boring? This tale of a tangential "romance" (if you can call it that) to the Trojan War is rife with all kinds of awesome feats du language (oh yeah, I wrote that) and lots of tiny but cool momen
It’s a timeless story, really: sensitive young guy gets carried away by the noble delirium of first love and goes all mushy over the dirty ho who punched his v-card. Complications ensue.
If you think my synopsis sounds crude, all I can say is, don’t read Troilus and Cressida, because it gets a whole
Originally, I rated this play 3 stars. But then I watched a fantastic adaption and liked the play a lot more. Upon rereading it I kind of loved it. Which just goes to show how important it is to also watch adaptations of plays when reading them and critiquing them as they are first and foremostly me
One of Shakespeare's problem plays because, well, for one, it's really difficult, but mainly because it's comedy but not really. Actually it's a very cynical comedy. Troilus and Cressida is long, generates a lot of confusion and frustration and has a limited stage history, but it's complicated i
“Those wounds heal ill that men do give themselves.”
― William Shakespeare, Troilus and Cressida
Troilus and Cressida is one of those Shakespeare plays that seems to have slipped through the cracks for me during my first 40 years. It was a distant, dark planet. I knew it existed, but couldn't give y
When I was young and naive, I loved Troilus and Cressida for its brave cynicism, but now that I am older--and my outlook is bleaker--I appreciate it for its realism and compassion. Shakespeare shows us a world in which lovers yearn to be true and warriors strive to be brave, but both inevitably fail
This is a rather difficult Shakespeare play to evaluate. Its genre is a problem: neither a comedy, nor a tragedy, nor even a tragicomedy—it leaves an ambiguous emotional aftertaste on the palate. Shakespeare himself seems to have felt ambivalent about the work, since he never staged it. Harold Bloom