. . .ther old friend of my father’s but some years younger than Nettleship or my father. Nettleship had found his simplifying image, but in his painting had turned away from it, while Ellis, the son of Alexander Ellis, a once famous man of science, who was perhaps the last man in England to run the circle of the sciences without superficiality, had never found that image at all. He was a painter and poet, but his painting, which did not interest me, showed no influence but that of Leighton. He had started perhaps a couple of years too late for Pre-Raphaelite influence, for no great Pre-Raphaelite picture was painted after 1870, and left England too soon for that of the French painters. He was, however, sometimes moving as a poet and still more often an astonishment. I have known him cast something just said into a dozen lines of musical verse, without apparently ceasing to talk; but the work once done he could not or would not amend it, and my father thought he lacked al. . . Read More