e you were, a slip of a lass, straight as a bulrush, and your head hangin' proud on your shoulders; yet modest too, as you can see off here in the North the top of the golden-rod flower swing on its stem. You were slim as slim, and yet there wasn't a corner on you; so soft and full and firm you were, like the breast of a quail; and I mind me how the shine of your cheeks was like the glimmer of an apple after you've rubbed it with a bit of cloth. Well, there you stood in some sort of smooth, plain, clingin' gown, a little bit loose and tumblin' at the throat, and your pretty foot with a brown slipper pushed out, just savin' you from bein' prim. That's why the men liked you—you didn't carry a sermon in your waist-ribbon, and the Lord's Day in the lift o' your chin; but you had a smile to give when 'twas the right time for it, and men never said things with you there that they'd have said before many another maid.

"'Twas a thing I've thought on off here, where I've little to do but think, how a lass like you could put a finger on the lip of such rough tykes as Faddo, Jobbin, and the rest, keepin' their rude words under flap and button. Do you mind how, when I passed you comin' in, I laid my hand on yours as it rested on the dresser? That hand of yours wasn't a tiny bit of a thing, and the fingers weren't all taperin' like a simperin' miss from town, worked down in the mill of quality and got from graftin' and graftin', like one of them roses from the flower-house at Mablethorpe Hall—not fit to stand by one o' them that grew strong and sweet with no fancy colour, in the garden o' the Book-in-Hand. Yours was a hand that talked as much as your lips or face, as honest and white; and the palm all pink, and strong as strong could be, and warmin' every thread in a man's body when he touched it. Well, I touched your hand then, and you looked at me and nodded, and went musin' into the fire again, not seemin' to hear our gabble.