istian Copts destroyed; wander through the deserted courts, desirous of looking upon the faces that have long since been hacked to pieces. A more benign spirit informs our world, but, alas! Hathor has been sacrificed to deviltries of old. And it is well, perhaps, that her temple should be sad, like a place of silent waiting for the glories that are gone.

With every step my melancholy grew. Encompassed by gloomy odors, assailed by the clamour of gigantic bats, which flew furiously among the monstrous pillars near a roof ominous as a storm-cloud, my spirit was haunted by the sad eyes of Hathor, which gaze for ever from that column in the first hall. Were they always like that? Once that face dwelt with a crowd of worship. And all the other faces have gone, and all the glory has passed. And, like so many of the living, the goddess has paid for her splendors. The pendulum swung, and where men adored, men hated her—her the goddess of love and loveliness. And as the human face changes when terror and sorrow come, I felt as if Hathor's face of stone had changed upon its column, looking toward the Nile, in obedience to the anguish in her heart; I felt as if Denderah were a majestic house of grief. So I must always think of it, dark, tragic, and superb. The Egyptians once believed that when death came to a man, the soul of him, which they called the Ba, winged its way to the gods, but that, moved by a sweet unselfishness, it returned sometimes to his tomb, to give comfort to the poor, deserted mummy. Upon the lids of sarcophagi it is sometimes represented as a bird, flying down to, or resting upon, the mummy. As I went onward in the darkness, among the columns, over the blocks of stone that form the pavements, seeing vaguely the sacred boats upon the walls, Horus and Thoth, the king before Osiris; as I mounted and descended with the priests to roof and floor, I longed, instead of the clamour of the bats, to hear the light flutter