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The School for Husbands

Molière

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The School for Husbands | Molière

The School for Husbands

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Moliere presented the plays The School for Husbands (this one) and then The School for Wives. "The central situations of the two have much in common: the arbitrary and jealous lover to whom circumstances have given almost the authority of a husband: the simple ward rescued from physical constraint by the unfettered cunning of love." In between writing the two plays he got married. Listen to both and see if this comedic genius of the farce changed his attitude
en translated by Sir Thomas Urquhart as "some fond wooers and wench-courters." The fashion of calling dandies after the name of perfumes is not rare in France. Thus Regnier speaks of them as marjolets, from marjolaine, sweet marjoram; and Agrippa d'Aubigné calls them muscadins (a word also connected with the old French musguet), which name was renewed at the beginning of the first French revolution, and bestowed on elegants, because they always smelled of musk.]

Oblige me to wear those little hats which provide ventilation for their weak brains, and that flaxen hair, the vast curls whereof conceal the form of the human face;

[Footnote: The fashion was in Molière's time to wear the hair, or wigs, very long, and if possible of a fair colour, which gave to the young fashionables, hence called blondins, an effeminate air. Sganarelle addresses Valère (Act ii. Scene 9), likewise as Monsieur aux blonds cheveux. In The School for Wives (Act ii. Scene 6), Arnolphe also tells Agnès not to listen to the nonsense of these beaux blondins. According to Juvenal (Satire VI.) Messalina put a fair wig on to disguise herself. Louis XIV. did not begin to wear a wig until 1673.]

those little doublets but just below the arms, and those big collars falling down to the navel; those sleeves which one sees at table trying all the sauces, and those petticoats called breeches; those tiny shoes, covered with ribbons, which make you look like feather-legged pigeons; and those large rolls wherein the legs are put every morning, as it were into the stocks, and in which we see these gallants straddle about with their legs as wide apart, as if they were the beams of a mill?

[Footnote: The original has marcher écarquillés ainsi que des volants. Early commentators have generally stated that volants means here

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