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"Perhaps," he began, with sudden and appalling lightness, "I'm a-talkin' to Mrs. McFadden?"

"No," said the woman, abstractedly.

"Then it must be Mrs. Delatour? There are only two township lots on that crossroad."

"My name IS Delatour," she said, somewhat wearily.

Mr. Bowers was conversationally stranded. He was not at all anxious to know her name, yet, knowing it now, it seemed to suggest that there was nothing more to say. He would, of course, have preferred to ask her if she had read the poetry about the Underbrush, and if she knew the poetess, and what she thought of it; but the fact that she appeared to be an "eddicated" woman made him sensitive of displaying technical ignorance in his manner of talking about it. She might ask him if it was "subjective" or "objective"—two words he had heard used at the Debating Society at Mendocino on the question, "Is poetry morally beneficial?" For a few moments he was silent. But presently she took the initiative in conversation, at first slowly and abstractedly, and then, as if appreciating his sympathetic reticence, or mayhap finding some relief in monotonous expression, talked mechanically, deliberately, but unostentatiously about herself. So colorless was her intonation that at times it did not seem as if she was talking to him, but repeating some conversation she had held with another.

She had lived there ever since she had been in California. Her husband had bought the Spanish title to the property when they first married. The property at his death was found to be greatly involved; she had been obliged to part with much of it to support her children—four girls and a boy. She had been compelled to withdraw the girls from the convent at Santa Clara to help about the house; the boy was too young—she feared, too shiftless—to do anything. The farm did not pay; the land was poor; she knew nothing about farming;