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Pygmalion and the Image

William Morris

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Book Excerpt: 
. . .It is this love of craftsmanship for its own sake, joined to a remarkable feeling for decorative beauty which both possessed, that binds the pictures of Burne-Jones and this poem by Morris so closely together that they form one perfect whole. Even the ideal and wholly imaginary world in which their figures move is the same—a land where emotion rather than passion bears sway, where the fates of man and of woman are determined by a whim of the gods rather than dominated by the chivalrous or devout hardihood of the individual.

In his "Apology" prefixed to The Earthly Paradise, Morris clearly and definitely disclaims any moral purpose in the poems comprised in it.

"Why should I strive to set the crooked straight?" he writes. How far this feeling was shared by Burne-Jones we can never know, but nearly all of his biographers are agreed that a love of beauty, as he understood it, was his main preoccupation, or, to use his own words, that a pictur. . . Read More