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Potterism
Dame Rose Macaulay
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'Life is difficult,' Lady Pinkerton sighed. 'My poor little Clare is looking like a wilted flower.'
'Poor little girl. M'm yes. Poor little girl. Well, well, we'll see what can be done…. I'll see if I can take Janet home for a bit, perhaps—get her out of the way. She's very useful to me here, though. There are no flies on Jane. She's got the Potter wits all right.'
But Lady Pinkerton loved better Clare, who was like a flower, Clare, whom she had created, Clare, who might have come—if any girl could have come—out of a Leila Yorke novel.
'I shall say a word to Jane,' Lady Pinkerton decided. 'Just to sound her.'
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Community Reviews
I’ve read three novels of Rose Macaulay’s to date: Dangerous Ages (2 stars); Keeping Up Appearances (3.5 stars); and The Towers of Trebizond (2.5 stars). I would give this 3.5 stars — I liked most of the book thought it was cleverly constructed. It was told in 5 parts, with three parts told by three
There has been something of a revival of interest in Rose Macaulay’s work in recent years. Firstly, the Virago reissues of Crewe Train (1926) and The World My Wilderness (1950) in Feb 2018; then, last summer, the British Library’s publication of Dangerous Ages (1921) a novel focusing on women at var
Sharp in its description of anti-semitism in England after the 1st World War. It reads more like a parody than a novel. Most of the key characters, with the exception of Arthur Gideon and Mr Potter, are thoroughly unpleasant. Reading this book gives some intellectual satisfaction but it is not a nov
Potterism focuses primarily on the years directly after the First World War and the newspaper empire of the Potter family. It highlights a movement entitled by it’s detractors as ‘Potterism’; a view of the world based on suspicion, fear and the creation of fake news. There are, it has to be said com
Gli amori e le sfide personali di due fratelli gemelli, e la loro lunga e appassionata lotta per affermarsi in una società scossa dalla Prima Guerra Mondiale, nella autenticità spregiudicata ma profondamente umana, che li ha resi simbolo rappresentativo della borghesia europea nella prima metà del N