"I only want one of you to speak; the man who can exonerate his brothers by confessing his own guilt. Do not touch me!"

This to Alfred, whose hand had caught hold of her dress.

With an air of pride, the first I had seen in him, the youngest son of Mr. Gillespie withdrew from her side and took up his stand on the farther side of the hall.

"You are quick with your suspicions," he flashed out. "What sort of men do you think us, that you should allow an incoherent phrase like this at the end of a letter begun in health but finished in agony, prejudice you to the death against persons of your own blood? It would take more than that to make me think evil of you, Hope."[72]

It was a natural reproach, and it told not only upon her, but upon us all. The words which had precipitated this situation might mean much and might mean little. Had the reputation of these young men been of a more stable character, or had no attempt been made to suppress this portion of the letter, suspicion would never have followed the discovery of this incongruous addition to the half-finished business letter found in the typewriter; "one of my sons he"—was that an accusation of crime? George and Leighton were on the point of asserting not, and Alfred had just begun to swagger with an air of injured pride, when Miss Meredith, recovering herself, laid her hand upon her bosom in repetition of her former action, and slowly drew forth a letter, the appearance of which evidently produced a new and still greater shock in the breasts of the three young men.

"I shall not try to vindicate myself," said she. "I have lived like a sister in this house, and you would have a right to reproach me if it were not for