to depict the sublime, graceful, and pathetic personages and events with which this history will most assuredly abound, and I doubt whether even the designer engaged in his place can make such a portrait of Miss Ethel Newcome as shall satisfy her friends and her own sense of justice. That blush which we have indicated, he cannot render. How are you to copy it with a steel point and a ball of printer's ink? That kindness which lights up the Colonel's eyes; gives an expression to the very wrinkles round about them; shines as a halo round his face;—what artist can paint it? The painters of old, when they portrayed sainted personages, were fain to have recourse to compasses and gold leaf—as if celestial splendour could be represented by Dutch metal! As our artist cannot come up to this task, the reader will be pleased to let his fancy paint for itself the look of courtesy for a woman, admiration for a young beauty, protection for an innocent child, all of which are expressed upon the Colonel's kind face, as his eyes are set upon Ethel Newcome.

"Mamma has sent us to bid you welcome to England, uncle," says Miss Ethel, advancing, and never thinking for a moment of laying aside that fine blush which she brought into the room, and which is her pretty symbol of youth, and modesty, and beauty.

He took a little slim white hand and laid it down on his brown palm, where it looked all the whiter: he cleared the grizzled mustachio from his mouth, and stooping down he kissed the little white hand with a great deal of grace and dignity. There was no point of resemblance, and yet a something in the girl's look, voice, and movements, which caused his heart to thrill, and an image out of the past to rise up and salute him. The eyes which had brightened his youth (and which he saw in his dreams and thoughts for faithful years afterwards, as though they looked at him out of heaven) seemed to shine upon him after five-and-thir