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Misalliance

George Bernard Shaw

335 ratings
Misalliance | George Bernard Shaw

Misalliance

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Misalliance, a play by George Bernard Shaw, is an ironic examination of the romantic entanglements of a varied group of people gathered at a wealthy man's country home on a summer weekend. Most of the romantic interest centers on the host's daughter, Hypatia Tarleton, a typical Shaw heroine who exemplifies his lifelong theory that in courtship, women are the relentless pursuers and men the apprehensively pursued. Hypatia is the daughter of newly-wealthy John Tarleton who made his fortune in the unglamorous but lucrative underwear business. She is fed up with the stuffy conventions that surround her and with the hyperactive talk of the men in her life.
ized that since I was twenty-three. I always used to take it as a matter of course that I should be married before I was twenty. BENTLEY'S VOICE. [in the garden] Youve got to keep yourself fresh: to look at these things with an open mind. JOHN TARLETON'S VOICE. Quite right, quite right: I always say so. MRS TARLETON. Theres your father, and Bunny with him. BENTLEY. Keep young. Keep your eye on me. Thats the tip for you. Bentley and Mr Tarleton (an immense and genial veteran of trade) come into view and enter the pavilion. JOHN TARLETON. You think youre young, do you? You think I'm old? [energetically shaking off his motoring coat and hanging it up with his cap]. BENTLEY. [helping him with the coat] Of course youre old. Look at your face and look at mine. What you call your youth is nothing but your levity. Why do we get on so well together? Because I'm a young cub and youre an old josser. [He throws a cushion at Hypatia's feet and sits down on it with his back against her knees]. TARLETON. Old! Thats all you know about it, my lad. How do, Patsy! [Hypatia kisses him]. How is my Chickabiddy? [He kisses Mrs Tarleton's hand and poses expansively in the middle of the picture]. Look at me! Look at these wrinkles, these gray hairs, this repulsive mask that you call old age! What is it? [Vehemently] I ask you, what is it? BENTLEY. Jolly nice and venerable, old man. Dont be discouraged. TARLETON. Nice? Not a bit of it. Venerable? Venerable be blowed! Read your Darwin, my boy. Read your Weismann. [He goes to the sideboard for a drink of lemonade]. MRS TARLETON. For shame, John! Tell him to read his Bible. TARLETON. [manipulating the syphon] Whats the use of telling children to read the Bible when you know they wont. I was kept away from the Bible for forty years by being told to read i
Shane 12/18/2022
This was the first play I have read from George Bernard Shaw, and I was surprised at how much I enjoyed it. Most of the humor still lands! In spite of the play being set in contemporary times 113 years ago, unfortunately most of the problems of the characters have yet to be solved.

The world is stil
Manny 05/11/2021


PERCIVAL. [to Hypatia] Does that satisfy you, Miss Tarleton?

HYPATIA. Yes: that will teach him to tell lies next time.

BENTLEY. [rising to make place for Gunner and handing him the pen]
You mean it will teach him to tell the truth next time.
Brad 02/16/2021
There once was a fine group of people in a fine country house with a fine glass pavilion -- a crystal palace of sorts -- and this fine group of people was made up of fine folks from the upper class: lords who were diplomats to Genghis Khan (not the murderous thug but a region); fine folks from the m
Meg 12/19/2020
I originally tried to read this play earlier this year and bailed. I am an avid reader and theater goer but, for some reason, I struggle to read plays. There is just a disconnect between the text and my brain. However, I listened to the audio with the full cast and the story became immediately bett
Haoyan 05/18/2018
It's enjoyable to listen to the conversation mixing cynicism with idealism, men's desire with women's wishes. Shaw's comments on marriage are always funny. Somehow I don't imagine Shaw was having a bad marriage, but rather he thinks the concept is a little dull. It's paradoxical that what he deems d
Jesse 02/23/2017
Certainly an experiment for Shaw, at least in the character Lina Szczepanowska, who goes further to defy gender norms. This play was from 1908, but feels so contemporary! Thanks again to L.A. Theatre Works, whose 2004 version I listened to. Superbly acted, it's a real joy for my morning commutes.

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