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The Master Builder

Henrik Ibsen

Book Overview: 

Henrik Ibsen's The Master Builder, is about architect Halvard Solness, who despite personal tragedy (including the death of his two sons) has risen to the top of his profession. He has succeeded partly through ruthless competition and exploitation and partly through a seeming ability to force his will on others. His unhappy wife Aline mourns for their lost life, and resents his interest in various young women, including his bookkeeper Kaia Fosli. Solness disregards the ambitions of other architects, including Knut Brovik and his son Ragnar, and seeks solace in the advice of family physician and friend Dr. Herdal. With the entrance of Hilda Wangel, a young woman whom he met as a child ten years ago, his life acquires a new focal point, one that will mean the end of him.

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Book Excerpt: 
. . .KAIA.

[Passionately, clasping hands and holding them out towards him.] Oh, you know very well there is only one person I care for now! I shall never care for any one else.


Yes, you say that. And yet you go away from me—leave me alone here with everything on my hands.


But could I not stay with you, even if Ragnar—?


[Repudiating the idea.] No, no, that is quite impossible. If Ragnar leaves me and starts work on his own account, then of course he will need you himself.


[Wringing her hands.] Oh, I feel as if I could not be separated from you! It's quite, quite impossible!


Then be sure you get those foolish notions out of Ragnar's head. Marry him as much as you please—[Alters his tone.] I mean—don't let him throw up his good situation with me. For then I can keep you too, my dear Kaia.


Oh yes, how lovely t. . . Read More

Community Reviews

I want for once in my life to have power to mould a human destiny.

People are in other rooms, people sitting on sofas and people behind desks. Voices from other rooms and voices carry. People have their destinies as their children in hearts cold ashen wombs worth nothing until it thrown away. I don't

ایبسن نمایشنامه فمینیستی می‌نوشت وقتی هنوز فمنیسم مد نبود.
من با ترجمه مشیری خوندم، از فیدی پلاس، که بعد رفتم مقدمه‌ بهزاد قادری ر از طاقچه بینهایت خوندم و فهمیدم اشتباه کردم توی انتخاب ترجمه.
بهزاد قادری یک مقدمه مفصل برای این نمایشنامه و آثار ایبسن داره که خوندنش خیلی کمک کرد بهم و احتمالا به بقیه ه

Hedda Gabler, Henrik Ibsen

Hedda Gabler is a play written by Norwegian playwright Henrik Ibsen.

The title character, Hedda, is considered one of the great dramatic roles in theater. Hedda, the daughter of an aristocratic and enigmatic general, has just returned to her villa in Kristiania (now Oslo) f

“It’s a release to know that in spite of everything a premeditated act of courage is still possible”—Hedda

"If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there"--Chekhov

I love this play. I decided to listen to it since I h

Ibsen alcanza con Hedda Gabler las cotas más altas de su teatro. Gracias a este coctel de personalidades que es la obra, Ibsen consigue con Hedda su personaje más complejo y sugerente. Pero, ¿quién es Hedda Gabler? ¿Una hija de puta manipuladora, una niña caprichosa y cruel que se aburre, una fiera

بعد از چخوف

I really enjoyed this play and I really do like Ibsen's writings in general.

The main character, Hedda is something else, that's for sure!

It's a liberation to know that an act of spontaneous courage is yet possible in this world. An act that has something of unconditional beauty.
Hedda Gabler ~~ Henrik Ibsen

Hedda ~~ abrasive and openly sarcastic ~~ why have men tried to own her. She is intelligent. She's well‐born. She's also lethal, a

We read this in high school. We were sixteen, what did we know? Fifty years later it is the most awesome work. Godzilla loosed upon the innocent villagers. They don’t stand a chance. Stomp. Crash. Kaboom. It’s so cool. Go monster!

What is in a text, what was written, what we read, or, in the case of plays, what is acted out?

Continuing my theatre season, I attended a performance of Hedda Gabler, but read the text before hand, and listened in parallel to an excellent dramatized version .

I had watched another performance during

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