The parlormaid returns.
OCTAVIUS. But—
RAMSDEN. [calling his attention to the servant] Ssh! Well?
THE MAID. Mr Tanner wishes to see you, sir.
RAMSDEN. Mr Tanner!
OCTAVIUS. Jack!
RAMSDEN. How dare Mr Tanner call on me! Say I cannot see him.
OCTAVIUS. [hurt] I am sorry you are turning my friend from your door like that.
THE MAID. [calmly] He's not at the door, sir. He's upstairs in the drawingroom with Miss Ramsden. He came with Mrs Whitefield and Miss Ann and Miss Robinson, sir.
Ramsden's feelings are beyond words.
OCTAVIUS. [grinning] That's very like Jack, Mr Ramsden. You must see him, even if it's only to turn him out.
RAMSDEN. [hammering out his words with suppressed fury] Go upstairs and ask Mr Tanner to be good enough to step down here. [The parlormaid goes out; and Ramsden returns to the fireplace, as to a fortified position]. I must say that of all the confounded pieces of impertinence—well, if these are Anarchist manners I hope you like them. And Annie with him! Annie! A— [he chokes].
OCTAVIUS. Yes: that's what surprises me. He's so desperately afraid of Ann. There must be something the matter.
Mr John Tanner suddenly opens the door and enters. He is too young to be described simply as a big man with a beard. But it is already plain that middle life will find him in that category. He has still some of the slimness of youth; but youthfulness is not the effect he aims at: his frock coat would befit a prime minister; and a certain high chested carriage of the shoulders, a lofty pose of the head, and the Olympian majesty with which a mane, or rather a huge wisp, of hazel colored hair is thrown back from an imposing brow, suggest Jupiter rather than Apollo.
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23 June 2012
We admit that when the divinity we worshipped made itself visible and comprehensible, we crucified it.
This phrase above, which appears in the epilogue, pretty much sums up the theme of the entire play, and that is that it is imposs