. . .His song is done, but still the lovers listen on and on to the bird’s song, echoed in the dark recesses of their own hearts.

At last, it would be time to return. They would rise and walk back toward the farm, not far away.

The grandmother would be calling from the doorway:

“Livette! Livette!”

Her voice would reach their ears, with a plaintive, caressing accent, tinged with sadness, from the edge of the vast expanse that rose in the darkness toward the stars, toward life and love,—a long, melancholy call. The voice at night upon the moor fills the air and rises tranquilly, disturbed by no echo, sad to be alone in a too great solitude.

Around the lovers as they returned to the farm, in the orchards, in the park, as the darkness increased, the deafening clamor of the frogs would soon be heard, a mighty noise, the sum total of a multitude of feeble sounds, a frightful din, composed of many minor croaking. . . Read More