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Johnson's Lives of the Poets - Volume 1

Samuel Johnson

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Johnson's Lives of the Poets - Volume 1 | Samuel Johnson

Johnson's Lives of the Poets - Volume 1

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mons, and found himself received with great kindness. The purpose for which the interview had been solicited was then discovered. Addison told him that he had injured him; but that, if he recovered, he would recompense him. What the injury was he did not explain, nor did Gay ever know; but supposed that some preferment designed for him had, by Addison's intervention, been withheld.

Lord Warwick was a young man, of very irregular life, and perhaps of loose opinions. Addison, for whom he did not want respect, had very diligently endeavoured to reclaim him, but his arguments and expostulations had no effect. One experiment, however, remained to be tried; when he found his life near its end, he directed the young lord to be called, and when he desired with great tenderness to hear his last injunctions, told him, "I have sent for you that you may see how a Christian can die." What effect this awful scene had on the earl, I know not; he likewise died himself in a short time.

In Tickell's excellent Elegy on his friend are these lines:—

     "He taught us how to live; and, oh! too high
      The price of knowledge, taught us how to die"—

in which he alludes, as he told Dr. Young, to this moving interview.

Having given directions to Mr. Tickell for the publication of his works, and dedicated them on his death-bed to his friend Mr. Craggs, he died June 17, 1719, at Holland House, leaving no child but a daughter.

Of his virtue it is a sufficient testimony that the resentment of party has transmitted no charge of any crime. He was not one of those who are praised only after death; for his merit was so generally acknowledged that Swift, having observed that his election passed without a contest, adds that if he proposed himself for King he would hardly have been refused. His zeal for his party did not extinguish his kindness for the merit of his opponents; when he was Se

1.1 02/27/2017
I have the 2 volume 1826 Dove's English Classics edition, easily the oldest books I own and I did want to make a point of that. The text is tiny and many of the pages are set charmingly askew but compared to many used books in my library the binding is still flawless and the pages are in excellent c
Lucy 01/12/2016
I think the main interest in this work is in the polished and pompous writing of Dr Johnson. How did he keep it up? And since so much of this is precis (or probably the reverse), why did he bother? I'm still struggling to find out what is so great about The Great Doctor.
Jeff 01/01/2016
9/15/14: Well, I seem to have begun a Project, for better or worse. I recently reread 84, Charing Cross Road, and was struck by Helen Hanff's love for not only the contents of the books she received from Marks & Co., but for the volumes themselves as beautiful objects. So I went to my shelves and pu
J. Alfred 04/14/2013
Though the book is interesting mainly on Donne (under the section on Cowley), Milton, Dryden and Addison, Johnson is a great critic and a pleasure to read in his own right. He is, to use an inexact word, weighty. For instance: "It appears, in all his [Milton's] writings, that he had the usual concom
Erica 04/10/2008
Though I'm no fan of Johnson, his account of Pope, and his "amus[ing] himself at the table with biscuits", may actually be the source of my love of the snide sniping of the eighteenth century (the potted lampreys just kill me):

His legs were so slender that he enlarged their bulk with three pair of
Dave 12/17/2007
Just began reading it after Frank McCourt name dropped it in his memoir 'Tis. More than a collection of biographies, it is a collection of his ideas on what makes good and bad poetry. Surprisingly relevant even if published in 1779.

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