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Japanese Colour-Prints and Their Designers

Frederick W. Gookin

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Book Excerpt: 
. . .European and American collectors, are the Japanese connoisseurs beginning to understand how it is that the Western art-lover, unfettered by any traditional point of view and not disturbed by any meanings the subject may hold or suggest, is able to perceive the glorious colour, the superb composition, the masterly treatment and rare beauty to which they have been blind.

The history of art is everywhere among civilized peoples a record of the influence of a succession of ideas, each in turn dominating for a longer or a shorter period the character of what is produced. When an idea has sufficient vitality to constitute the germ of a specific type of art, and artists of creative genius are inspired by it, the votaries working under the stimulus of a common ideal form what we designate as a school. “When left to pursue its course of development unch. . . Read More