The German front line was only sixty-five yards away, and the town of Messines could be seen in the distance.
Staying in this section of trench, I filmed several scenes of the men at work repairing and rebuilding the sides which the night previous had been destroyed by shell-fire and the heavy rains. Then followed scenes of relief parties coming in, and working parties hard at it trying to drain their dug-outs. This latter seemed to me an almost superhuman task; but through it all, the men smiled. Bending low, I raced across an open space, and with a jump landed in an advanced sniper's post, in a ruined farm-house. I filmed him, carefully and coolly picking off the Germans foolish enough to show their heads.
Then I set my camera up behind what I thought quite a safe screen, to film a general view of our front line, but I had hardly started exposing when, with murderous little shrieks, two bullets whizzed close by my head—quite as near as I shall ever want them. Dropping as low as possible, I reached up, and still turning the handle finished the scene. Then followed several pictures of scouts and snipers making their way across the ground, taking advantage of any slight cover they could get, in order to take up suitable positions for their work.
By this time the light was getting rather bad, and as it was still raining hard I made my way back.[55] During the return journey, an officer who accompanied me showed himself unknowingly above the parapet, and "zipp" came a bullet, which ripped one of the stars off his coat.
"Jove!" said he, with the greatest of sang-froid, "that's a near thing; but it's spoilt my shoulder-strap": and with a laugh we went on our way.
Agai
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