door and opened it wider. No one was there.

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The position of the widower who marries again is irritating to him if he be, as Edward Morris was, a man of nice feeling. He has to say, and to believe, that he loves as he never loved in his life before. Scraps of used romance must be whipped up out of his respectable past to set against the virginal fervour of the young woman who has just begun to love him. Yet he feels that all this is an insult to the dead—to the woman who loved him before. A man of the world has a happy habit of forgetting and of ignoring. He may marry for the second or third time quite easily. He takes nothing too seriously. He may order a new overcoat, but he does not feel that the coat will be worthless unless he swears and tries to believe that he never wore a coat like that before.[Pg 79] Morris, however, was a sentimentalist, and so he became irritated with himself. The next step inevitably followed. He became irritated with his dead wife. She had got her cold arms round his neck and was dragging him down and holding him back from the joyful development of his life.

When in London it was his custom to visit her grave in Brompton cemetery at regular intervals, once every month. During his engagement to Adela Constantia he made up his mind that this regular visit must be dropped. Some arrangement could be made to have the grave kept in decent order, but he could not go near it again. He remembered having been told a story of a widower who married again and went hand-in-hand with his second wife to stand by the grave of the first. It had been told him as something pathetic. He had never been able to see in it anything but a subject for a humorous paper; Guy de Maupassant would have done wonders with it. He settled the day when the last visit should be made. He selected an appropriate wreath, in