. . .Stanfield’s “Chasse Marée off the Gulf-stream Light,” “The Privy Council,” by Wilkie; portraits of men and dogs, by Landseer; “The Pifferari,” “Phryne,” and “Banishment of Ovid,” by Turner; “A Bacchante,” by Etty; “Gaston de Foix,” by Eastlake; Allan’s “Slave Market,” Leslie’s “Dinner Scene from the Merry Wives of Windsor;” “A View on the Rhine,” by Callcott; Shee’s portrait of Sir Francis Burdett; portraits by Pickersgill; Maclise’s “Christmas in the Olden Time,” and “Olivia and Sophia fitting out Moses for the Fair;” “The Massacre of the Innocents,” by Hilton; and a picture by Uwins.[132]

Angelica Kauffmann and Biaggio Rebecca helped to decorate the Academy’s old council-chamber at Somerset House. The paintings still exist. Rebecca was an eccentric, conceited Italian artist, who decorated several rooms a. . . Read More