"If things go well," I repeated. "What does that mean? Money?"
She shook her head.
"It means a fear that I have in my own mind," she answered—"a fear, Mr. Lefrank, of matters taking a bad turn among the men here—the wicked, hard-hearted, unfeeling men. I don't mean Ambrose, sir; I mean his brother Silas, and John Jago. Did you notice Silas's hand? John Jago did that, sir, with a knife."
"By accident?" I asked.
"On purpose," she answered. "In return for a blow."
This plain revelation of the state of things at Morwick Farm rather staggered me—blows and knives under the rich and respectable roof-tree of old Mr. Meadowcroft—blows and knives, not among the laborers, but among the masters! My first impression was like your first impression, no doubt. I could hardly believe it.
"Are you sure of what you say?" I inquired.
"I have it from Ambrose. Ambrose would never deceive me. Ambrose knows all about it."
My curiosity was powerfully excited. To what sort of household had I rashly voyaged across the ocean in search of rest and quiet?
"May I know all about it too?" I said.
"Well, I will try and tell you what Ambrose told me. But you must promise me one thing first, sir. Promise you won't go away and leave us when you know the whole truth. Shake hands on it, Mr. Lefrank; come, shake hands on it."
There was no resisting her fearless frankness. I shook hands on it. Naomi entered on her narrative the moment I had given her my pledge, without wasting a word by way of preface.
"When you are shown over the farm here," she began, "you will see that it is really two farms in one. On this side of it, as we look from under this tree, they raise crops: on the other side—on much the larger half of the land,
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