The wonder and the romance of the play were still warm and vital, in his imagination, infusing his thoughts with a roseate glamour of unreality, wherein all things were strangely possible. The iridescent imagery of the Arabian Nights of his boyhood (who has forgotten the fascination of those three fat old volumes of crabbed type, illuminated with their hundreds of cramped old wood-cuts?) had in a scant three hours been recreated for him by Knoblauch's fantastic drama with its splendid investment of scene and costume, its admirable histrionic interpretation, and the robust yet exquisitely tempered artistry of Otis Skinner. For three hours he had forgotten his lowly world, had lived on the high peaks of romance, breathing only their rare atmosphere that never was on land or sea.

Difficult he found it now, to divest his thoughts of that enthrallment, to descend to cold and sober reality, to rememb. . . Read More