storic event and show how history could have been changed if something had happened differently. We dramatize the event up to that point just as it really happened, and then a commentary-voice comes on and announces that this is the Crossroads of Destiny; this is where history could have been completely changed. Then he gives a resumé of what really did happen, and then he says, 'But—suppose so and so had done this and that, instead of such and such.' Then we pick up the dramatization at that point, only we show it the way it might have happened. Like this thing about Columbus; we'll show how it could have happened, and end with Columbus wading ashore with his sword in one hand and a flag in the other, just like the painting, only it'll be the English flag, and Columbus will shout: 'I take possession of this new land in the name of His Majesty, Henry the Seventh of England!'" He brandished his drink, to the visible consternation of the elderly man beside him. "And then, the sailors all sing God Save the King."

"Which wasn't written till about 1745," I couldn't help mentioning.

"Huh?" The plump man looked startled. "Are you sure?" Then he decided that I was, and shrugged. "Well, they can all shout, 'God Save King Henry!' or 'St. George for England!' or something. Then, at the end, we introduce the program guest, some history expert, a real name, and he tells how he thinks history would have been changed if it had happened this way."

The conservatively dressed gentleman beside him wanted to know how long he expected to keep the show running.

"The crossroads will give out before long," he added.

"The sponsor'll give out first," I said. "History is just one damn crossroads after another." I mentioned, in passing, that I taught the subject. "Why, since the beginning of this century, we've had enough of them to keep the show running for a year."

"We have about tw