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The Cathedral

Sir Hugh Walpole

299 ratings
The Cathedral | Sir Hugh Walpole

The Cathedral

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The story of an arrogant 19th-century archdeacon in conflict with other clergy and laity was certain to bring comparisons with Trollope's Barchester Towers (The Manchester Guardian 's review was headed "Polchester Towers"), but unlike the earlier work, The Cathedral is wholly uncomic.... The reviewer Ivor Brown commented that Walpole had earlier charmed many with his cheerful tales of Mayfair, but that in this novel he showed a greater side to his art: "This is a book with little happiness about it, but its stark strength is undeniable. The Cathedral is realism, profound in its philosophy and delicate in its thread." The Illustrated London News said, "No former novelist has seized quite so powerfully upon the cathedral fabric and made it a living character in the drama, an obsessing individuality at once benign and forbidding. ...The Cathedral is a great book." The Jubilee which plays an important part in the story is the national celebration in 1897 of Queen Victoria's sixty years on the throne.
he river, coming up through the green banks, Seatown looked picturesque, with its disordered cottages scrambling in confusion at the tail of the rock and the Cathedral and Castle nobly dominating it. That distant view is the best thing to be said for Seatown.

To-day, in the drizzling mist, the place was horribly depressing. Falk plunged down into Bridge Street as into a damp stuffy well. Here some of the houses had once been fine; there were porticoes and deep-set doors and bow-windows, making them poor relations of the handsome benevolent Georgian houses in Orange Street. The street, top-tilting down to the river, was slovenly with dirt and carelessness. Many of the windows were broken, their panes stuffed with paper; washing hung from house to house. The windows that were not broken were hermetically sealed and filled with grimy plants and ferns, and here and there a photograph of an embarrassed sailor or a smiling married couple or an overdressed young woman placed face outward to the street. Bridge Street tumbled with a dirty absent- mindedness into Pennicent Street. This, the main thoroughfare of Seatown, must have been once a handsome cobbled walk by the river-side. The houses, more than in Bridge Street, showed by their pillared doorways and their faded red brick that they had once been gentlemen's residences, with gardens, perhaps, running to the river's edge and a fine view of the meadows and woods beyond. To-day all was shrouded in a mist that was never stationary, that seemed alive in its shifting movement, revealing here a window, there a door, now a chimney-pot, now steps that seemed to lead into air, and the river, now at full tide and lapping the stone wall, seemed its drunken bewildered voice.

"Bally pawns, that's what we are," Falk muttered again. It seemed to be the logical conclusion of the thoughts that had worried him, likes flies, during his walk. Some one lurched against him as he stayed for a moment t

Fred 05/20/2024
Durtal and the Chartres Cathedral are the main characters. Lets be real when there are only two main characters and one is a building the work can get dry at points. But, someday if I can get to France for Le Tour I will take Huysmans' quadilogy (?), La Bas,, En Rout, The Cathedral. and L Oblat with
Lee 11/30/2018
The Cathedral, volume three of the four-part novel of the religious conversion of Durtal the writer (and Huysman's fictional spiritual alter-ego), is a step up in inventiveness and interest from volume two (En Route), but it's still a far cry from the exquisite beauty of the tetralogy's opening volu
John 02/17/2016
Moby Dick for buildings.
Alan 06/19/2014
The second volume in Huysman's quasi-autobiographical trilogy featuring the character Durtal, this book is fascinating reading for anyone interested in cathedral architecture, religious symbolism, or church traditions of the middle ages. The book has been used for years as a guidebook for Chartes Ca

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