s from any other Platonic composition. The aim is more directly ethical and hortatory; the process by which the antagonist is undermined is simpler than in other Platonic writings, and the conclusion more decided. There is a good deal of humour in the manner in which the pride of Alcibiades, and of the Greeks generally, is supposed to be taken down by the Spartan and Persian queens; and the dialogue has considerable dialectical merit. But we have a difficulty in supposing that the same writer, who has given so profound and complex a notion of the characters both of Alcibiades and Socrates in the Symposium, should have treated them in so thin and superficial a manner in the Alcibiades, or that he would have ascribed to the ironical Socrates the rather unmeaning boast that Alcibiades could not attain the objects of his ambition without his help; or that he should have imagined that a mighty nature like his could have been reformed by a few not very conclusive words of Socrates. For the arguments by which Alcibiades is reformed are not convincing; the writer of the dialogue, whoever he was, arrives at his idealism by crooked and tortuous paths, in which many pitfalls are concealed. The anachronism of making Alcibiades about twenty years old during the life of his uncle, Pericles, may be noted; and the repetition of the favourite observation, which occurs also in the Laches and Protagoras, that great Athenian statesmen, like Pericles, failed in the education of their sons. There is none of the undoubted dialogues of Plato in which there is so little dramatic verisimilitude.

ALCIBIADES I

by

Plato (see Appendix I above)

Translated by Benjamin Jowett

PERSONS OF THE DIALOGUE: Alcibiades, Socrates.

SOCRATES: I dare say that you may be surprised to find, O son of Cleinias, that I, who am your first lover, not having spoken to you for many years, when the rest of the worl