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Alcestis
Euripides
Book Overview:
Alcestis is the earliest surviving play by Euripides. Alcestis, the devoted wife of King Admetus, has agreed to die in his place, and at the beginning of the play she is close to death. In the first scene, Apollo argues with Thanatos (Death), asking to prolong Alcestis' life, but Thanatos refuses. Apollo leaves, but suggests that a man will come to Pherae who will save Alcestis. Euripides' play is perhaps the most unusual Greek drama ever written: a tragedy that is not a tragedy.
Alcestis is the earliest surviving play by Euripides. Alcestis, the devoted wife of King Admetus, has agreed to die in his place, and at the beginning of the play she is close to death. In the first scene, Apollo argues with Thanatos (Death), asking to prolong Alcestis' life, but Thanatos refuses. Apollo leaves, but suggests that a man will come to Pherae who will save Alcestis. Euripides' play is perhaps the most unusual Greek drama ever written: a tragedy that is not a tragedy.
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APOLLO.
No. To keep death for them that linger late.
THANATOS (still mocking).
'Twould please thee, so?… I owe thee homage great.
APOLLO.
Ah, then she may yet … she may yet grow old?
THANATOS (with a laugh).
No!… I too have my rights, and them I hold.
APOLLO.
'Tis but one life thou gainest either-wise.
THANATOS.
When young souls die, the richer is my prize.
APOLLO.
Old, with great riches they will bury her.
THANATOS.
Fie on thee, fie! Thou rich-man's lawgiver!
APOLLO.
How? Is there wit in Death, who seemed so blind?
THANATOS.
The rich would buy long life for all their kind.
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Community Reviews
“…com efeito, as almas nobres cumprem seu dever vencendo todas e quaisquer barreiras.
Os sentimentos bons são o apanágio dos homens dotados de sapiência.
Somos admiradores incontidos dos mortais realmente generosos e temos a mais firme convicção de que eles afinal serão felizes.”
Apolo conseguiu conven
Death and Resurrection in Ancient Greece
9 April 2012
I can now understand why they call this a problem play: for most of the play it is a tragedy but suddenly, at the end, everything turns out all right. One commentary I have read on this raises the question of whether it is a masterpiece or a train
In Alcestis, the god Apollo rewards Admetus, king of Pherae in Thessaly, for his hospitality by arranging that on the day of the king's death someone else perishes instead of him. Admetus's old parents (selfishly?) refuse to take his place—his wife Alcestis, however, agrees to die for him. After she
Last night, on our first evening of the Adelaide Fringe, we saw a fine production of Alcestis by the Scrambled Prince Theatre Company. It was most enjoyable, but I'm afraid that on returning home I immediately went and looked up an online translation. Could it really be the case that the dialogue be