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The Age of Fable

Thomas Bulfinch

3,504 ratings
The Age of Fable | Thomas Bulfinch

The Age of Fable

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Bulfinch’s Mythology, is one of the most popular collections of mythology of all time. It consists of three volumes: The Age of Fable, The Age of Chivalry, and Legends of Charlemagne. This is a recording of the tenth edition of the first volume, The Age of Fable. It contains many Greek and Roman myths, including simplified versions of The Iliad and The Odyssey, as well as a selection of Norse and “eastern” myths. Thomas Bulfinch’s goal was to make the ancient myths accessible to a wide audience, and so it is suitable for children.
ound of human conversation, breaks the stillness. Silence reigns there; and from the bottom of the rock the River Lethe flows, and by its murmur invites to sleep. Poppies grow abundantly before the door of the cave, and other herbs, from whose juices Night collects slumbers, which she scatters over the darkened earth. There is no gate to the mansion, to creak on its hinges, nor any watchman; but in the midst, a couch of black ebony, adorned with black plumes and black curtains. There the god reclines, his limbs relaxed with sleep. Around him lie dreams, resembling all various forms, as many as the harvest bears stalks, or the forest leaves, or the seashore grains of sand.

As soon as the goddess entered and brushed away the dreams that hovered around her, her brightness lit up all the cave. The god, scarce opening his eyes, and ever and anon dropping his beard upon his breast, at last shook himself free from himself, and leaning on his arm, inquired her errand, for he knew who she was. She answered, "Somnus, gentlest of the gods, tranquillizer of minds and soother of careworn hearts, Juno sends you her commands that you dispatch a dream to Halcyone, in the city of Trachinae, representing her lost husband and all the events of the wreck."

Having delivered her message, Iris hasted away, for she could not longer endure the stagnant air, and as she felt drowsiness creeping over her, she made her escape, and returned by her bow the way she came. Then Somnus called one of his numerous sons, Morpheus, the most expert at counterfeiting forms, and in imitating the walk, the countenance, and mode of speaking, even the clothes and attitudes most characteristic of each. But he only imitates men, leaving it to another to personate birds, beasts, and serpents. Him they call Icelos; and Phantasos is a third, who turns himself into rocks, waters, woods, and other things without life. These wait upon kings and great personages i

✨ Helena ✨ 03/31/2022
In the battle between mythologists, Graves comes in first, Hamilton comes in second and Bulfinch comes in third. Bulfinch has a tendency to prefer using the Roman names, and his interpretation of the myths themselves is rather superficial at best, so while I appreciate his contribution to Greek myth
Miriam 12/29/2021
This was my very first mythology book. My mother bought it for me in 1985, and I've been hooked on mythology ever since. I still love the photos of statues and the paintings used as illustrations. The fact that it's mostly in black and white was my only real complaint.
Harper Nicole 01/22/2020
Read this for school, and I found it very enjoyable, although long. Lol I never really knew just how much Greek and Roman mythology resounds in our world. It has a real depth that I loved to see. Super fun. Gore, violence, love, action, music, gods, nymphs, poems, stories... Almost anything you coul
A.R. 10/29/2019
More modern treatments of mythology might correct historical errors or fill in gaps in the stories, but this was a very interesting view of the early scholarly work in the field. Troy had not even been discovered by Schliemann when Bulfinch compiled this work. Slavery still existed in the United Sta
Andre 12/26/2016
"If no other knowledge deserves to be called useful but that which helps to enlarge our possessions or to raise our station in society, then Mythology has no claim to the appellation. But if that which tends to make us happier and better can be called useful, then we claim that epithet for our subje
Chris 07/19/2016
I think a lot of people miss the purpose of the volume. This is a 19th century course on classics taught in a very classical way. When poetry or other literature based on the mythology discussed is quoted you should pull the work up and read the whole thing. This is of course much easier to do now w
Jen3n 07/27/2009
Classic, well written, informative, beautifully researched, and with careful and delicious verbosity which tends to add to rather than detract from the subject matter. It's a very fine reference guide for people who already have a pretty good handle on Greek Mythology, and a pretty good guide for th

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