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Somehow Good
William Frend De Morgan
Book Overview:
A mysterious man arrives in London and, in a freak accident, gets electrocuted on an underground train and loses his memory. A young lady called Sally Nightingale feels responsible, and brings him home to her mother. But in a strange twist of fate it transpires that her mother is the man's ex wife, whom he left twenty years earlier in unhappy circumstances. The old attraction is there, but what will happen if and when his memory returns? A highly melodramatic plot, but with a deft comic touch, a host of vibrant characters, and a large dash of romance.
A mysterious man arrives in London and, in a freak accident, gets electrocuted on an underground train and loses his memory. A young lady called Sally Nightingale feels responsible, and brings him home to her mother. But in a strange twist of fate it transpires that her mother is the man's ex wife, whom he left twenty years earlier in unhappy circumstances. The old attraction is there, but what will happen if and when his memory returns? A highly melodramatic plot, but with a deft comic touch, a host of vibrant characters, and a large dash of romance.
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"What fault have you to find with him?"
"I! None at all. It's all perfectly right."
"You are the most irritating girl."
"Suppose we take the adagio now—if you're rested."
But Sally's back was up. "Not until you tell me what you really mean about Julius Bradshaw."
So Lætitia had her choice between an explicit statement of her meaning, and an unsupported incursion into the adagio.
"I suppose you'll admit there are such things as social distinctions?"
Sally wouldn't admit anything whatever. If sociometry was to be a science, it must be worked out without axioms or postulates. Lætitia immediately pointed out that if there were no such things as social distinctions of course there was no reason why Mr. Julius Bradshaw shouldn't take his violin to Krakatoa Villa. [Pg 107] "Or here, or anywhere," concluded Lætitia, with a t. . . Read More
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