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Shakespeare and Music
Christopher Wilson
Book Overview:
Shakespeare's plays are full of music: love songs, comic ditties, serious ballads, and songs for witches and spirits. Over the centuries musicians and composers have also created musical adaptations based on Shakespeare's plays. Composer Christopher Wilson's Shakespeare and Music documents the musical history of each play across various genres, including opera and incidental music.
Shakespeare's plays are full of music: love songs, comic ditties, serious ballads, and songs for witches and spirits. Over the centuries musicians and composers have also created musical adaptations based on Shakespeare's plays. Composer Christopher Wilson's Shakespeare and Music documents the musical history of each play across various genres, including opera and incidental music.
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Act ii. opens with a short prelude on one of Ophelia's themes, and then there is a long recitative and aria for her (Ophelia). I do not think it would be wise or expedient {30} to give an exact analysis of this work, so I will pass over with but few references.
Act iv. begins with a long and complicated ballet, which is about the changes of weather from which we suffer, and Ophelia's "mad scene" comes in the midst of it. The tyranny of the grand-opera ballet is one of the most cramping things that have ever helped to ruin the fine spontaneity of dramatic art. Everyone knows how Wagner fought against it, and of the final d. . . Read More
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