The Symposium is a philosophical book written by Plato. On one level the book deals with the genealogy, nature and purpose of love, on another level the book deals with the topic of knowledge, specifically how does one know what one knows. Plato constructed the Symposium as a story within a...
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Plato
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Crito is a short but important dialogue by Plato. It is a conversation between Socrates and his wealthy friend Crito regarding justice, injustice, and the appropriate response to injustice. Socrates thinks that injustice may not be answered with injustice, and refuses Crito's offer to finance...
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As Jowett relates in his brilliant introduction, 95% of Plato's writing is certain and his reputation rests soundly on this foundation. The Alcibiades 1 appears to be a short work by Plato with only two characters: Socrates and Alcibiades. This dialogue has little dramatic verisimilitude but...
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Laws is Plato's final dialogue written after his attempt to advise the tyrant Dionysius II of Syracuse. The dialogue takes place between: an Athenian Stranger; the quiet Lacedaemonian Megillus; and the Cretan Cleinias. The Stranger asks whether humans live to be more effective at waging war or...
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This is an incomplete dialogue from the late period of Plato's life. Plato most likely created it after Republic and it contains the famous story of Atlantis, that Plato tells with such skill that many have believed the story to be true. Critias, a friend of Socrates, and uncle of Plato was...
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Phaedrus is the most enchanting of Plato’s Erotic dialogues (capitalised in honour of the god). The barefoot philosopher urges an eager young acquaintance – who has allowed his lover’s oratorical skills to impress him overmuch – to re-examine the text of Lysias’s speech in the light of his own...
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This dialogue brings Socrates face to face with the famous sophist Gorgias and his followers. It is a work likely completed around the time of "Republic" and illuminates many of the spiritual ideas of Plato. The spirituality, as Jowett points out in his wonderful introduction, has many ideas...
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In Plato’s Ion, Socrates questions Ion on whether he should really claim laud and glory for his ‘rhapsodic’ recitals of Homer’s poetry.
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This work may not be by Plato, or his entirely, but Jowett has offered his sublime translation, and seems to lean towards including it in the canon. Socrates tempted by irony to deflate the pretentious know-it-all Hippias, an arrogant polymath, appears to follow humor more than honor in this...
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Awaiting his trial on charges of impiety and heresy, Socrates encounters Euthyphro, a self-proclaimed authority on matters of piety and the will of the gods. Socrates, desiring instruction in these matters, converses with Euthyphro, but as usual, the man who professes to know nothing fares...
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